Courtesy of The Criterion Collection |
FRANCES HA
Criterion Collection DVD Review
2013, 86 minutes
Rated R for sexual references and language
The Criterion Collection just released Noah Baumbach’s
quirkfest Frances Ha in a Blu-ray/DVD
combo release and while the special features aren’t the best that Criterion has
given us over the past few years, the movie itself is so delightful that I
would certainly recommend buying if you’re a fan. I would not, however, recommend this film as
a blind buy, as its very offbeat sense of humor and meandering narrative will
not be to everyone’s tastes.
I am a big fan of Frances
Ha. Viewing Criterion’s release was
my first viewing of the film since I screened it in early May and watching it
again was a delight. I gave the film a
3.5/4 in the spring and I stand by that rating, but I now have a new
appreciation for the film.
The film tells the story of a twenty-something woman,
Frances (Greta Gerwig), who lives with her best friend, Sophie (Mickey Sumner). Frances isn’t rich and does absolutely
nothing to help her financial situation.
She has no aim in life. She’s
stuck in that period when people try to figure out their lives, but she is way
too old to still be figuring out her life.
One of the many beautiful aspects of the screenplay is that
Noah Baumbach and his co-writer (and star of the film) Greta Gerwig are
completely aware of the ridiculousness of Frances’ situation. Frances really has everything except the
drive to get a job and take control of her life. Gerwig and Baumbach are never condescending
towards Frances, but they never take pity on her make it seem as if her
situation is horrible. For every dark
undertone, there is a lot of comedy and lightness. They make Frances look outrageous. The situations she finds herself in are
realistic, but very comical. Again, we
are never asked to pity Frances - we are simply asked to root for her. Gerwig, in the performance of a lifetime,
makes Frances a real, lovable person, flaws and all. Gerwig has a bizarre screen presence. Everything about her and her timing is just
slightly off, but she creates such a sunny character that we can’t help but
love her.
Underneath Frances Ha
is an undertone of loneliness and sadness, but these never overpower the
contagious energy and positivity that the film gives off. The film is in beautiful digital
black-and-white and features a mix of ‘80s pop songs and music by French New
Wave composer George Delerue (Jules and
Jim, Shoot the Piano Player). Because the film is new and didn’t require
any massive restoration, there isn’t much to comment on in terms of the look of
the Criterion release itself.
The special features on this film are somewhat lacking,
which is a shame, as Frances Ha is
such a fascinating film. It is fascinating
in the sense that it is an homage to the French New Wave, but is also a comment
on the current generation of twenty-somethings living in Brooklyn who have no
idea what to do with their lives. The
special features include an interview with Noah Baumbach conducted by Peter
Bogdanovich (The Last Picture Show, Paper Moon), an interview with Greta
Gerwig conducted by Sarah Polley (Away
From Her, Stories We Tell), a
conversation between Baumbach, cinematographer Sam Levy, and Pascan Dangin who
did the film’s color mastering. The
conversation between Polley and Gerwig is definitely the best, as Polley, being
an actress herself, asks some very interesting questions that get Gerwig to
reveal a lot about her thoughts regarding the character of Frances and how she
perceives her.
The interview with Baumbach is interesting, but I would have
liked to hear more about his thoughts on Frances and her life. Most of the interview, Baumbach talks about
why he decided to make a film like Frances
Ha and how he created it. Much of this is very interesting,
particularly the part where he reveals that the entire movie, save for the
sequence where Frances goes back home to see her parents (played by Gerwig’s
real parents), is scripted. For a movie
that feels very natural and loose (in the best possible way), it was shocking
to find out that it wasn’t improvised.
The conversation between Baumbach, Levy, and Dangin didn’t
interest me much, as it was very technical and the three didn’t break down the
technicalities of coloring the film and achieving its look for those who don’t
know anything about the coloring process.
Those who know about the technical aspects of cinematography and
coloring will find this conversation fascinating, but I was very lost through
much of it.
Overall, Frances Ha is
a fantastic movie given an average treatment by the usually incredible
Criterion Collection. I wish that there
had been more about production on the actual film and simply more special features. A director’s commentary would have been
enlightening, as it seems like a large amount of thought and effort was put
into composing each shot and blocking each scene. Again, I’d highly recommend buying this if
you’re a fan of the film, but wouldn’t recommend this for the special features
or as a blind buy.
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