Melissa McCarthy, left, and Sandra Bullock, right Courtesy of 20th Century Fox Pictures |
THE HEAT
2013, 117 minutes
Rated R for pervasive language, strong crude
content and some violence
Review by Joshua
Handler
It is amazing what two good performances can do for a really
average movie. Without Melissa McCarthy
and Sandra Bullock’s fantastic chemistry, The
Heat would have ended up being barely better than a movie in the bargain
bin. The
Heat is a female buddy cop movie directed by Paul Feig, director of the
hilarious Bridesmaids. He can certainly get great performances out
of his actresses, but is ultimately at the mercy of the script he’s
directing. Bridesmaids’ Oscar-nominated screenplay was brilliant, creating
memorable characters, outrageous jokes, and good drama. It was also something all to rare in movies
today: unpredictable. The Heat’s screenplay was written by
Katie Dippold (TV’s Parks and Recreation). She probably could have written this movie in
her sleep. It definitely has its fair
share of laughs, but the laughs aren’t big ones and the movie follows the
formula so closely that it causes more eye rolls than laughs by the end.
While I don’t always like Sandra Bullock’s movies, she is an
undeniably talented actress and comedienne.
She frequently gives life to clichéd characters and has a commanding
screen presence. With her role as the
uptight, smart, and motivated cop, Bullock really lets herself go and nails
nearly everything. Melissa McCarthy
needs better material. Bullock’s isn’t
great, but at least it’s respectful.
McCarthy is relegated to saying f*** in every sentence and going through
fat gag after fat gag. An Oscar-nominee
for her over-the-top performance in Bridesmaids,
McCarthy is insanely talented. She was
one of the reasons Bridesmaids was
what it was. She is a force of
nature. Her writers just need to realize
that she is more than fat and can say more than the word f***. Her screen chemistry with Bullock is
surprisingly incredible. They, like the
best comedic duos, play off of each other’s strengths and elevate the movie to
a level much higher than the script deserves.
It is simply a shame that this movie wasn’t funnier. It could have been great. It has a talented director, two gifted stars,
and a fun premise. The formulaic script just
ruined much of the fun. As I’ve said
before and will say again, comedy writers need to realize that crude doesn’t
necessarily mean funny. Crude with
brains (i.e. Borat) or crude with
heart (Knocked Up) is good. Crude for crude’s sake isn’t normally
funny. And where is
unpredictability? Where are movies like Tootsie and The 40-Year-Old Virgin? I’ll
tell you where they are: they are in arthouse theaters. If you want real comedy with brains, go to
the arthouse and see Much Ado About Nothing
or Frances Ha. While not unpredictable, they are uncommonly
smart. When Woody Allen’s Blue Jasmine is released next month, see
that. THAT is unpredictable and
wonderful.
Overall, The Heat isn’t
terrible, but again, I could think of at least a dozen other movies I would
recommend going to see over it. Women
need better comedic material because a movie like this isn’t worthy of the
incredible comediennes out there. My
star rating will be higher than you may think it should be due to my multiple
written rants and negative tone above, but I did enjoy quite a bit of this
movie. I’m simply annoyed with how lazy
screenwriters have gotten. Bullock and
McCarthy are the only reason this movie is reasonably good.
2.5/4
No comments:
Post a Comment